Stannard and Son’s Perspective View of the Seat of War in Egypt.

$1,800

Date: 1882
Place: London
Dimensions: 64 x 50 cm (25.5 x 19.75 in)
Condition Rating: VG+

In stock

SKU: NL-01982 Categories: ,

Fantastic Bird’s-Eye-View of the Theatre of the Anglo-Egyptian War of 1882, compiled by one of the Victorian Era’s best view-makers.

Details

This is Alfred Concanen’s view of Upper Egypt, published by Victorian mapmaker William Thomas Stannard, known for his dramatic bird’s-eye-views of active armed conflicts. Here, we are provided with a vista of the theatre of the Anglo-Egyptian War of 1882. The folding map gives an excellent overview of the Delta region, where most of the battles of this war were fought. Below, we outline the reasons for the war, the significant events of the conflict, and its outcome.

 

The Anglo-Egyptian War of 1882: Establishing British Dominance in Egypt

The British conquest of Egypt in 1882 was a pivotal event that occurred amid a backdrop of political turmoil and shifting geo-strategic interests. The conflict would leave a lasting impact on the region and shape the political conditions leading up to WWI.

In 1882, Egypt was in a state of turmoil. Ahmed Urabi, an Egyptian army officer, led a mutiny against Khedive Tewfik Pasha, the ruler of Egypt and Sudan. Urabi’s grievances included pay disparities between Egyptians and Europeans and other concerns about the government. In response, the British and French governments issued a “Joint Note” in January 1882, expressing support for Khedive Tewfik’s authority. Tensions escalated when an anti-Christian riot in Alexandria led to the death of fifty Europeans. Urabi’s forces fortified the city, and the French fleet was recalled. A British ultimatum was rejected, and on July 11, British warships bombarded Alexandria, marking the formal beginning of the war.

Reasons for the Invasion

The reasons behind the British invasion of Egypt have been a topic of lengthy historical debates. Some argue that the invasion aimed to quell the Urabi Revolt and protect British interests, notably the Suez Canal, which was vital for maintaining the shipping route to the Indian Ocean. Others suggest that British Prime Minister William Gladstone’s government was motivated by safeguarding the interests of British bondholders with investments in Egypt. The close ties between the British government and the economic sector and a desire for a militant foreign policy undoubtedly played a role as well.

Key events of the war

The British fleet bombarded Alexandria from July 11 to 13, 1882, before occupying the city with marines. While the British did not lose any ships, much of the city was destroyed by fires and artillery shells and resistance by Urabi’s supporters. Urabi obtained a fatwa from the sheiks of Al Azhar, condemning Tewfik as a traitor and subsequently declaring war on the United Kingdom. The British Army, led by Lieutenant General Sir Garnet Wolseley, launched a probing attack at Kafr el Dawwar but determined it was impossible to reach Cairo by that route due to the solid Egyptian defenses. In August, a British army of over 40,000 invaded the Suez Canal Zone to destroy Urabi’s forces. This led to the Battle of Kafr El Dawwar on August 5, 1882. The primary battle nevertheless occurred on September 13, when the Brits attacked Urabi’s fortified position at Tell el Kebir. Here, the British forces achieved a decisive victory with minimal casualties, leading to the capture of Cairo.

In addition to sealing the fate of Egypt in the coming decades, the Anglo-Egyptian War saw the introduction of new tactical approaches that soon would become standard for European armies. Among the innovations were using railways to transport troops and supplies, telegraph communication to coordinate forces, and creating an Army Post Office Corps to provide postal services to men in the field.

Aftermath

After the British had won the war, Prime Minister Gladstone initially sought to put Urabi on trial and execute him, but the British prosecutor lacked strong evidence. Urabi’s charges were thus downgraded, and he was exiled.

After 1882, British troops continued to occupy Egypt until the Anglo-Egyptian Treaties of 1922 and 1936, which gradually restored control to the Egyptian government—this prolonged occupation aimed to safeguard British interests and investments in Egypt.

Cartographer(s):

Alfred Concanen

Alfred Concanen (1835 – 1886) was a prominent Victorian printer and lithographer whose primary output was sheet music cover illustrations. Concanen had a keen eye for detail and a knack for capturing the essence of his subjects. He was a crucial figure in the music hall scene for over two and a half decades. He was known for his meticulously designed sheet music covers that featured portraits of famous performers and depicted humorous scenes from their songs.

Concanen’s career was a testament to his versatility as an illustrator. He worked as a staff illustrator for the Illustrated Sporting and Dramatic News, where he often used photographs as references for his illustrations, bringing the vibrant world of entertainment to life on paper. His work immortalized iconic performers such as George Leybourne, ‘Champagne Charlie,’ and Alfred Vance, ‘The Great Vance,’ during the heyday of the British music hall tradition in the 1860s.

Concanen’s contributions extended beyond sheet music covers, as he also designed theater posters and illustrated various publications. His legacy lives on through extensive collections of his sheet music covers housed in prestigious institutions like the Victoria & Albert Museum and the British Library. Alfred Concanen’s artistry and dedication are celebrated as integral to Victorian lithographic history.

William Thomas Stannard

William Thomas Stannard (1815-1895) was a famous London-based printer and lithographer known for his innovative contributions to mapmaking. He won fame for his work on sheet music covers, theatrical posters, and various other artistic endeavors. Still, Stannard’s true claim was his specialization in compiling stunning bird’s-eye views of places currently in the news, particularly battlefields and theaters of war.

Stannard began his career in collaboration with Francis Dixon as “Stannard & Dixon,” where they produced remarkable panoramic views of crucial historical events. One of their most notable works was A panoramic view of the Gulf of Finland and the Baltic Sea, which depicted the fortified places from the Åland Isles to St Petersburg in 1855. Stannard also worked on panoramic maps related to the Indian Mutinies 1857 and the conflicts in Italy in 1859. His expertise extended to various geographical regions, as seen in his panoramic maps of South Africa, Egypt, Afghanistan, and more. When Stannard passed away in 1895, he left a legacy of artistic mapmaking, and his work remains a valuable resource for understanding historical events.

Condition Description

Minor wear.

References